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		<title>Portico latest news</title>
		<link>http://www.portico.nu/</link>
		<description>Here you'll find the latest news of Portico</description>
		<language>en</language>
		<generator>TYPO3 - get.content.right</generator>
		<docs>http://blogs.law.harvard.edu/tech/rss</docs>
		
		
		
		<lastBuildDate>Mon, 14 May 2012 15:33:00 +0200</lastBuildDate>
		
		
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			<title>Aelius and the Time Portal wins Karel de Grote-prize 2012</title>
			<link>http://www.portico.nu/about/news/article/aelius-and-the-time-portal-wins-karel-de-grote-prize-2012.html</link>
                        <guid>http://www.portico.nu/about/news/article/aelius-and-the-time-portal-wins-karel-de-grote-prize-2012.html</guid>
                        <pubDate>Mon, 14 May 2012 15:33:00 +0200</pubDate>
			<description>The Karel de Grote- youth prize has been won by students from the School of the Arts and Utrecht University. They developed together the project...</description>
			<content:encoded><![CDATA[<p>The Karel de Grote- youth prize has been won by students from the School of the Arts and Utrecht University. They developed together the project Aelius and the Time Portal. The purpose of this prize which is awarded annually by the European Parliament, is the development of European awareness among young people and encourage their participation in projects to promote integration. </p>
<p><b>What is the Time Portal?<br /></b>Aelius and the Time Portal is an interactive history lesson for children of group 5 and 6 of primary school and close to the history lessons that are given at school. The children travel during this lesson through what is called a time portal to the Roman era in their own district, Kanaleneiland in Utrecht. Based on the story of a Roman slave, the students learn in an interactive way the Limes. This is the old Roman border, inter alia by the Netherlands and walked through Kanaleneiland making a connection between the Netherlands, Turkey and Morocco. Because many residents of Kanaleneiland originally come from Morocco, it is very special for these children to see that this connection already existed at these early times. </p>
<p><b>Original and accessible<br /></b>The jury chose this project because the target and the original approach: &quot;the LIMES project is not only the challenge of double integration in both the Netherlands and the European Union, but also focuses on youth in the society that not every day come into contact with Europe and its importance. A project that in an original and accessible way enhances the EU involvement with full enthusiasm. The deserved winner, &quot;says Esther de Lange, Christian Democrat MEP and member of the Karel de Grote-prize. </p>
<p><b>PORTICO</b><br />The development of Aelius and the Time Portal was part of the international cooperation PORTICO. Student teams from the various participating cities (Utrecht, Ghent, Chester and Cologne) were ordered to work out innovative business cases for promotion and exploitation of archaeological heritage in their city. PORTICO is supported with a financial contribution from the European subsidy program for Interreg IVB North West Europe.<br /><b><br />Karel de Grote-prize<br /></b>The Karel de Grote-prize has a national jury who chooses from any country of the European Union a winner. Here, a European jury will then choose the three best projects. The representatives of the 27 national winning projects will be invited for an overnight trip to Aachen, where the ceremony will take place by the European Parliament and the Foundation of the International Karel de Grote-prize of Aachen. </p>
<p>Source: European Parliament The Hague <br />More information:<br /><a href="http://limes.hku.nl" target="_blank" >http://limes.hku.nl</a> </p>]]></content:encoded>
			
			
			
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			<title>The Domplein square as you never saw it before</title>
			<link>http://www.portico.nu/about/news/article/the-domplein-as-you-never-saw-it-before.html</link>
                        <guid>http://www.portico.nu/about/news/article/the-domplein-as-you-never-saw-it-before.html</guid>
                        <pubDate>Wed, 11 Apr 2012 17:01:00 +0200</pubDate>
			<description>The rich history of the Domplein square is largely hidden under the present pavement. The latest 3D model of artist Jan de Rode changes this.</description>
			<content:encoded><![CDATA[<p><b>The rich history of&nbsp;the Domplein square is&nbsp;largely&nbsp;hidden&nbsp;under the present&nbsp;pavement.</b></p>
<p><b>Archaeological research</b>&nbsp;over the past&nbsp;century&nbsp;delivers&nbsp;much&nbsp;insight into&nbsp;the different&nbsp;time layers&nbsp;on&nbsp;each other&nbsp;and&nbsp;under&nbsp;the Domplein.&nbsp;With the aid of 3D&nbsp;techniques&nbsp;it is possible&nbsp;to convert this knowledge&nbsp;into&nbsp;images.&nbsp;Different&nbsp;time layers&nbsp;of&nbsp;the Domplein&nbsp;were already&nbsp;in 3D. Until recently we had a very limited view from&nbsp;the&nbsp;early medieval&nbsp;phase.</p>
<p><b>The&nbsp;latest 3D&nbsp;model </b>of artist&nbsp;<a href="http://www.derode3d.nl/3d_pano_vroeg.html" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >Jan de Rode</a>&nbsp;changes&nbsp;this.&nbsp;Together with&nbsp;Jos&nbsp;Stöver&nbsp;(Netherlands Institute for Cultural Heritage)&nbsp;and Raphael&nbsp;Rijntjes&nbsp;(Utrecht University)&nbsp;he has made&nbsp;a&nbsp;beautiful winter&nbsp;reconstruction of&nbsp;this period.&nbsp;It shows the&nbsp;churches&nbsp;of missionary Willibrord, but also&nbsp;that there&nbsp;probably&nbsp;were&nbsp;some farms&nbsp;within&nbsp;the remnants of the&nbsp;once glorious&nbsp;castellum.</p>]]></content:encoded>
			
			
			
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			<title>Ave Civitas</title>
			<link>http://www.portico.nu/about/news/article/ave-civitas.html</link>
                        <guid>http://www.portico.nu/about/news/article/ave-civitas.html</guid>
                        <pubDate>Wed, 11 Apr 2012 16:52:00 +0200</pubDate>
			<description>Interested in the digital storytelling project Ave Civitas? Have a look at the workshop results on the Ave Civitas YouTube Channel. </description>
			<content:encoded><![CDATA[<p><span style="font-family: Verdana, Arial, Helvetica, Sans, sans-serif; font-size: 13px; color: rgb(51, 51, 51); line-height: 19px; ">Interested in the digital storytelling project Ave Civitas? Have a look at the workshop results on the <a href="http://www.youtube.com/user/avecivitas1" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >Ave Civitas YouTube Channel</a>.&nbsp;</span></p>]]></content:encoded>
			
			
			
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			<title>Interested in Heritage?</title>
			<link>http://www.portico.nu/about/news/article/interested-in-heritage.html</link>
                        <guid>http://www.portico.nu/about/news/article/interested-in-heritage.html</guid>
                        <pubDate>Wed, 11 Apr 2012 16:41:00 +0200</pubDate>
			<description>Looking for best practices when it comes to virtual time travel? Bring a visit to www.inheritage.eu, the special Portico website, which aims to...</description>
			<content:encoded><![CDATA[<p><span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, Sans, sans-serif; font-size: 13px; color: rgb(51, 51, 51); line-height: 19px; ">Looking for best practices when it comes to virtual time travel? Bring a visit to&nbsp;<span style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: normal; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; color: rgb(177, 44, 27); text-decoration: none; outline-style: none; outline-width: initial; outline-color: initial; "><a href="http://www.inheritage.eu/" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >www.inheritage.eu</a></span>, the special Portico website, which aims to inspire professionals in heritage interpretation. Make your account and add your own breathtaking experiences.&nbsp;</span></p>]]></content:encoded>
			
			
			
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			<title>Digging for clues at Domplein</title>
			<link>http://www.portico.nu/about/news/article/digging-for-clues-at.html</link>
                        <guid>http://www.portico.nu/about/news/article/digging-for-clues-at.html</guid>
                        <pubDate>Wed, 11 Apr 2012 16:04:00 +0200</pubDate>
			<description>
In the summer of 2011 the real preparations started for the second underground visitor centre beneath the Dom square in Utrecht. Quite a...</description>
			<content:encoded><![CDATA[<p><span style="font-family: Verdana, Arial, Helvetica, Sans, sans-serif; font-size: 13px; color: rgb(51, 51, 51); line-height: 19px; "></span></p><div id="c515" class="csc-default" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><b>In the&nbsp;summer of 2011</b>&nbsp;the real preparations started for the second underground visitor centre beneath the Dom square in Utrecht. Quite a big test excavation was carried out to examine which physical conditions are needed in the centre. The excavation revealed archaeological remains from various time layers. Traces of a Roman road, various parts of early Medieval churches and huge pillar fundaments of the gothic Dom were the most obvious things. Most spectacular was the find of more than hundred coins dating back to the 7th century AD.&nbsp;</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><span style="line-height: 19px; font-weight: bold; "></span></p></div><div id="c539" class="csc-default" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><div class="csc-textpic-clear" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; clear: both; "></div></div><div id="c516" class="csc-default" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><b>The excavation attracted </b>thousands of visitors. On Open Heritage Day in September, people had to wait in line to get a glimpse of the excavation and hear the explanation of the archeologists. On special occasions children helped the archeologists in tracing down bits and pieces of the past.<br /><span style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: Verdana, Arial, Helvetica, Sans, sans-serif; vertical-align: baseline; color: rgb(51, 51, 51); line-height: 16px; "><br /><b>The dig is covered up now</b>, waiting for a final re-excavation and the construction of the visitor centre next summer. Meanwhile research is going on with PORTICO partners helping each other to find the best solutions for the challenges they face. Important to mention here is that the PORTICO study on climate and light is well on its way.&nbsp;</span></p></div><div style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-weight: inherit; font-style: inherit; font-size: 13px; font-family: inherit; vertical-align: baseline; "><b>The excavation was carried out</b> in close cooperation with the archeologists of the city of Utrecht and specialists from the Netherlands Institute for Cultural Heritage.</p></div></div>]]></content:encoded>
			
			
			
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			<title>One year STAM in figures</title>
			<link>http://www.portico.nu/about/news/article/one-year-stam-in-figures.html</link>
                        <guid>http://www.portico.nu/about/news/article/one-year-stam-in-figures.html</guid>
                        <pubDate>Tue, 13 Dec 2011 10:15:00 +0100</pubDate>
			<description>No birthday party without balloons Students SintLucasAcademie Gent
On Sunday October 9th Ghent celebrated the first birthday of its City Museum,...</description>
			<content:encoded><![CDATA[<p>No birthday party without balloons Students SintLucasAcademie Gent</p>
<p>On Sunday October 9th Ghent celebrated the first birthday of its City Museum, STAM. A good reason to throw a party! Many showed up around noon for the day ‘s kick-off: a cooking competition “Who makes the best Ghent beef stew?” Throughout the day, people could enjoy live opera, get a relaxing massage, have their picture taken and printed in a dedicated frame, listen to stories of Ghent and much more. To close the birthday in style, there was a big birthday cake. In total, some 3.300 celebrated with us.&nbsp;</p>
<p>A year completed is also a moment to round up some accomplishments. Here are some statistics.&nbsp;</p><div><ul><li>visitors: 128.422<br /><a href="http://www.stamgent.be/en/visit" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >visit STAM&nbsp;</a></li><li>clickable spots &amp; streets on “Views of Ghent”: 3.500&nbsp;<br /><a href="http://www.stamgent.be/en/visit/permanent-exhibition/multimedia-views-of-ghent" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >this is how it works</a>&nbsp;</li><li>most popular film on the MUtable: “Begijnhof Lange Violettestraat in de jaren &nbsp;‘40”<br /><a href="http://www.stamgent.be/en/visit/permanent-exhibition/multimedia-multi-touch-tables" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >multi-touch tables&nbsp;</a></li><li>number of guided tours: 1607&nbsp;<br /><a href="http://www.stamgent.be/en/visit/guided-tours" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >interested? book now&nbsp;</a></li><li>languages in STAM: 5&nbsp;<br /><a href="http://www.stamgent.be/en/visit/practical-information" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >not only in Dutch, English, French and German, but in Spanish as well</a>&nbsp;</li><li>LEDlights in the introduction area: 4.800&nbsp;<br /><a href="http://www.stamgent.be/en/visit/permanent-exhibition/the-introduction" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >feel the texture of the city&nbsp;</a></li><li>students who visited the museum with “city classes”: 2.368&nbsp;<br /><a href="http://www.stamgent.be/en/activities/city-classes" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >primary schoolchildren discover Ghent</a>&nbsp;</li><li>facebookfans: 3.052&nbsp;<br /><a href="http://www.facebook.com/pages/STAM-Stadsmuseum-Gent/250796376175" title="Opent externe link in nieuw scherm" target="_blank" class="external-link-new-window" >become fan</a></li></ul><p>&nbsp;&nbsp;</p></div>]]></content:encoded>
			
			
			
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			<title>Reverse Heritage management: A Dutch approach on how to stimulate private-public coöperation...</title>
			<link>http://www.portico.nu/about/news/article/reverse-heritage-management-a-dutch-approach-on-how-to-stimulate-private-public-cooperation.html</link>
                        <guid>http://www.portico.nu/about/news/article/reverse-heritage-management-a-dutch-approach-on-how-to-stimulate-private-public-cooperation.html</guid>
                        <pubDate>Tue, 13 Dec 2011 09:05:00 +0100</pubDate>
			<description>Thanks to Edsard Kylstra, manager Utrecht, I was given the opportunity to contribute to the discussion in the Portico meeting as a so called external...</description>
			<content:encoded><![CDATA[<p>Thanks to Edsard Kylstra, manager Utrecht, I was given the opportunity to contribute to the discussion in the Portico meeting as a so called external expert. This title concerns me a bit since I can only tell you how we as a company (the-missinglink) try to manage Heritage. I was asked to go into a Dutch method to organize cooperation between stakeholders in heritage and spatial development and stimulate interaction between private and public wishes. For me this is a discussion on setting goals and values in heritage management. A discussion on selecting and creating general ownership of Heritage that we as professionals already care for. Read more…</p>
<p><b>Valletta Treaty<br /></b>The Netherlands have decided to implement the Valletta Treaty by integrating it in the existing spatial law system, zoning plans and building permits. This integration of archaeology in spatial planning creates tension between the academics and creators of spatial quality, taking into account that we have a so called “polluter pays “principle. The idea behind the law is that archaeology should be one of the providers of that quality. Preconditions for cooperation are however joint goals and products. How can this be achieved? In our spatial projects we take three steps to assure that Heritage is an integrated part of the decision making as the only solution to create general involvement. We call this method Reverse Heritage®-smart heritage.</p>
<p>First we reverse the working process. Instead of immediately executing the administrational protocol of steps to get a building permit, we sit down and try to define the goals and targets to be achieved at the end of the project Second, we do not define our goals in an academic professional vacuum. We enlarge the decision making perspective to all stakeholders involved in spatial development. In order to create responsibility and involvement. We put them all at the decision making table (eg, the heritage professional, the administration, politics, developer and user/civilian). With this group we set the heritage ambition in general and manage this to a more specific goal after the assessment field research. </p>
<p>Third,&nbsp; to come to a set of shared goals for all stakeholders it will be necessary to find an equal balance between the three elements of heritage management; <br />1.&nbsp;the production of knowledge<br />2.&nbsp;the long term physical protection of heritage find spots and finds<br />3.&nbsp;the utilization or commodification of knowledge in heritage</p>
<p>Before the implementation of the new law, the emphasis laid on academic knowledge production. Now we have two extra pieces of the pie to take into account. One may even argue that the opportunities for the utilisation or commodification of heritage in spatial developments, leisure industry or for educational purposes, should be an important selection criteria for field research. </p>
<p>Fourth, as professionals we have to help stakeholders to create utilisation goals. We do this by telling the story of the site and the area to be developed and transform this into the digital, virtual, and physical world. We create identity and image as a starting point for the marketing and branding of the area. We inspire developers and architects to transform the past into the future by using the history.<br />&nbsp;&nbsp;&nbsp;&nbsp; <br />Fifth, It may be clear that using this method for defining a different heritage scope, has great impact on the control aspects of projects such as budget, finance, exploitation planning, information and quality management. There is more to do than just budgeting research and other goals for heritage and make sure the money is available for all these goals. Protection and especially utilisation should be paid out of the same budget and not afterwards, when the money is usually spent.</p>
<p>Nevertheless by using the Reverse Heritage method we aim to create identity in new spatial development.&nbsp; To use the words of the Spanish writer Louis Aragon: “I’ve made up the past again to see the beauty of the future”.</p>
<p>Drs. Boudewijn Goudswaard, Archaeologist and owner at The-missinglink, Utrecht</p>
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			<title>Excavating the Emile Braun square in Gent: an archaeological dissection of the 'genius loci'... </title>
			<link>http://www.portico.nu/about/news/article/excavating-the-emile-braun-square-in-gent-an-archaeological-dissection-of-the-genius-loci.html</link>
                        <guid>http://www.portico.nu/about/news/article/excavating-the-emile-braun-square-in-gent-an-archaeological-dissection-of-the-genius-loci.html</guid>
                        <pubDate>Tue, 13 Dec 2011 09:03:00 +0100</pubDate>
			<description>The reconstruction of the city centre squares in Ghent – the so-called KoBra project ― was preceded by extensive excavations of the whole project...</description>
			<content:encoded><![CDATA[<p>The reconstruction of the city centre squares in Ghent – the so-called KoBra project ― was preceded by extensive excavations of the whole project area. This archaeological research was directed by the Department of Urban Archaeology of the City of Ghent. A first evaluation of the field work done at the Emile Braun square yielded new urban insights. They make it possible to identify the successive phases of spatial development of the area from prehistoric times to the demolition of the last building block (that occupied the present-day square) in 1960. Read more…</p>
<p>The backbone of that quarter is a NW-SE oriented street, later known as the Korte Ridderstraat, which is now believed to be part of the medieval trade route overland from Bruges to Cologne. The occupancy along this axis shows a sophisticated balance between buildings and open space, between enclosure and perspective. </p>
<p>Analysis of the archaeological data gave evidence of a strong urban vision directing the spatial development of that quarter. The street intersections or enlargements functioned as small squares, which played an important role in the fabric of the medieval and pre-modern city. Only a few of them grew out to real squares (considered as such) in modern times. Those ‘small squares’ are often neglected in classical urban topography, which is rather focussed on the larger squares, with well-known economical, political or ceremonial functions. This urban phenomenon was not unique to Ghent, but appears to have been predominant in other medieval cities as well. </p>
<p>The research into the archaeological soil archive led to another, quite unexpected conclusion: the successive phases of the spatial development of the Emile Braun square from the medieval period onwards – e.g. in the 15th century, in the later 17th century, and in the early 19th century – appear to have been surprisingly well planned and carefully designed. This insight in urban planning is completely new. Until now, the loosely defined open space known as the Emile Braun square was considered to be the unintended result of successive and ill-considered clearances of building blocks, surrounded by rear facades.<br />&nbsp; <br />In short, the archaeological evidence falsify some wide spread – but erroneous – ideas about spatial development at the heart of the city centre. From this experience we can learn once more that, prior to large development projects, a thorough interdisciplinary (archaeological, historical and built historical) research is needed to get fully grasp of the ‘genius loci’ and to take this into account when designing the reconstruction of old city quarters, especially in interpretive plans.</p>
<p>Marie Christine Laleman and Geert Vermeiren', Gent</p>
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			<title>Succesful Partnermeeting PORTICO in Chester in September...</title>
			<link>http://www.portico.nu/about/news/article/partnermeeting-portico-in-chester.html</link>
                        <guid>http://www.portico.nu/about/news/article/partnermeeting-portico-in-chester.html</guid>
                        <pubDate>Tue, 13 Dec 2011 08:58:00 +0100</pubDate>
			<description>From 28 till 30 September the partners of the PORTICO project met in Chester to discuss the progress of the PORTICO project and different studies...</description>
			<content:encoded><![CDATA[<p>From 28 till 30 September the partners of the PORTICO project met in Chester to discuss the progress of the PORTICO project and different studies were presented. The delegates were welcomed to Chester by Executive Member for Properity Councillor Herbert Manley who said: &quot;Chester has established an excellent reputation working with European projects. I would like to extend a warm welcome to the PORTICO partners on behalf of myself and the City. This project is demonstrating a fascinating combination of archaeology, history and the latest technology to protect and further promote our heritage&quot;. </p>
<p><b>Chester's heritage<br /></b>The Chester contribution to PORTICO has centred on the City Walls particularly the towers, Morgans Mount, Thimbleys Tower, King Charles Tower and the Water Tower. New interpretation panels are being designed to help explain the significance of the Walls whilst an innovative 'App' is being developed to act as an interactive guide to the Walls. There will also be a new interpretation element at the Newgate and the Roddee.</p>
<p><b>Topics to share<br /></b>During the partnermeeting, several specialists from Chester, Gent, Koln and Utrecht gave a presentation on different studies that are made in the PORTICO project. In this PORTICO newsletter October 2011, we share their topics.</p>
<p><b>Chester Tour<br /></b>The PORTICO partners were also taken on a guided tour of Chester on the Heritage tours open decked bus to see all of the areas included with the project.</p>
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			<title>Public-Private Partnership on the Ubian Monument in Cologne...</title>
			<link>http://www.portico.nu/about/news/article/small-slate-panels.html</link>
                        <guid>http://www.portico.nu/about/news/article/small-slate-panels.html</guid>
                        <pubDate>Tue, 06 Dec 2011 11:28:00 +0100</pubDate>
			<description>Public Private Partnership models valued on the example of the Ubian Monument in the City of Cologne
In her introduction speech in the course of the...</description>
			<content:encoded><![CDATA[<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none"><b>Public Private Partnership models valued on the example of the Ubian Monument in the City of Cologne</b></p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none"><br />In her introduction speech in the course of the PORTICO Partnermeeting in Chester, Marianne Gechter presented a successfully realised Private Public Partnership model using the example of the Ubian Monument. The City of Cologne has set up a regulatory framework for such models, which has been applied several times already. Apparently, such models are also interesting for other members of PORTICO.</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">In Germany the “Bundesländer” (regions) are responsible for the protection of monuments. Each “Bundesland” has different laws. In North Rhine Westphalia this is regulated by the “law for the conservation of ancient monuments“. Nevertheless the City of Cologne has an exception. Here the “lex colonia” guarantees the independence of archaeology in Cologne. At the moment there are two different departments: on one hand the “Archaeological Zone”, which is responsible for the area where the new museum is being built as well as for the Ubian Monument, and on the other hand the “Romano-Germanic Museum”, which is responsible for all other parts in the city. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">The legal situation of North Rhine Westphalia states that the discovery of archaeological findings has to be reported immediately to the authorities. If archaeological remains are discovered, the “Department for the Protection and Preservation of Monuments” is entitled to stop the building activities up to six months to organize the necessary excavations. The “Departments for the Preservation of Monuments” are to be involved in the planning processes and building applications. If there is any evidence from surveys or former excavations that indicate considerable findings are to be expected they can impose conditions, for excavation etc. The regulations even allow the expropriation of private owners of monuments.</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">In reality the department and the private investors sign contracts according to the costs-by-cause principle. The investor pays a certain amount for the excavation or hires a company for archaeological research. So the department can save money and therefore guarantees that the excavation will start when it is suitable for the investor. It is a key agreement to make sure that the excavations will not take longer than necessary.</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">When unexpected, important findings are revealed or when it comes to preservation of any findings this agreement can be modified or even rejected by the city. This case might be very rare but it means that the building plan has to be changed and the investor has to bear the additional costs. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">During the PORTICO meeting it turned out that other partner cities have the same problems with the current regulative specifications for preserving historical and archaeological findings. However a successful implemented Private Public Partnership not only has to involve the investor/owner on one side, but also the residents and people working or living in the area. The communication agency of the Archaeological Zone “BSX Bader &amp; Schmölzer Ldt.” therefore has developed a communication master-plan, presented by Astrid Bader. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">The Ubian Monument is situated in an unusual surrounding in the basement of an apartment building. The people living in and near this building can influence the success of the project considerably. Therefore a specific communication strategy has to be developed to get in touch with this target group. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">The goal is to involve and to inspire local residents, to identify themselves with the historical site and to be proud of it. It is also necessary winning these locals as partners to create a multiplier effect. <br />Locals can gain appreciation of the area they live in and get in touch with the local community and neighbours, which could help to create a new district and change the image of the area they live in. For this reason a number of activities will be organized – e.g. guided tours with local guides, discussion and information meetings, events for owners of restaurants, hotels, shops etc.</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">Another important element of this concept is the &quot;Private Public Partnership&quot;, which includes a close cooperation with the owner of the building in order to upgrade the economic value of the building by installing a new bus stop, free renovation of the entrance or a special branding of the site. In the foyer visitors should be invited to a time travel and experience history by multimedia presentations, photo exhibition and other modern presentation methods. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">Another important target group of our project are schools and students. Students should learn about their cultural heritage and the history of the city in a way that is interesting for them. For schools tailored projects for every age group will be arranged. Every student gets the chance to become a “student scout”, who guides other students through the historical site. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">Further ideas include special multimedia presentations such as a TV-documentation about the Archaeological Zone and the Ubian Monument, the &quot;Ave Civitas&quot; Digital Storytelling workshop or podcasts for audioguides, as well as social media presentations on Wiki, Facebook, Archaeology-Blogs and YouTube. </p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">Other target groups that should be reached are students, museums, journalists, archaeologists, tour guides, tourist offices, EU-sponsors and local politicians.</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none">&nbsp;</p>
<p style="MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none"><i>Astrid Bader, BSX Bader &amp; Schmölzer GmbH</i></p>]]></content:encoded>
			
			
			
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